- About Project About Project
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Collections
Collections
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Audiovisual collections
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Vinyl records
- Beethoven: Sinfonie Nr. 4 B-dur Op. 60
- P. Tchaikovsky: Concerto for violin and orchestra
- Wiesław Ochman: Polish opera arias
- Karol Szymanowski: Two violin concertos
- Karol Szymanowski: Harnasie
- Karol Szymanowski: Songs
- Jan Kiepura: Operatic arias
- Puccini: Tosca
- Kotokylia ja kaukomaita
- Stanisław Bunin plays Chopin
- Music of the Polish Renaissance L 0111
- Music of the Polish Renaissance L 0112
- Music of the Polish Renaissance L 0109
- 7th International Wieniawski Violin Competition
- Mozart: Piano concertos
- Chopin: Trio g-moll op. 8
- Ludomir Różycki: Eros i Psyche
- Tadeusz Baird: Psycho-drama ; Elegeia ; Scenes
- Stanisław Moniuszko: Songs from the "Song-Books for home use"
- The Academic Choir of the Szczecin University of Technology
- I. Stravinsky: Suite fron ballet "Firebird" ; "Play cards"
- Anna Jurksztowicz: Dziękuję, nie tańczę
- Cildren's themes in symphonic music
- The VII International Copin Piano Competition
- Prokofiev: Egyptian nights ; On the Dnieper
- Paderewski: Piano concerto in a minor ; Różycki: Ballade for piano and orchestra
- Anton Bruckner: Motetten
- Elżbieta Stefańska-Łukowicz: Corrette, Mozart, Haydn
- Kazimiez Kowalski: Arias and Songs
- Wiesław Ochman:Famous polish singers
- Zara Dolukhanova
- Lidia Grychtołówna: Piano recital
- Gabor Lehotka: J. S. Bach
- CDs
- DVDs
- Casette tapes
- VHS tapes
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Books
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Contemporary books
- Drama of time and imagination
- Drzwi do plakatu
- Dziennikarstwo i świat mediów
- Dziennikarstwo wobec nowych mediów
- Efekt lalki
- Estetyka wirtualności
- Film japoński
- Hale z poligonalnym chórem
- Historia teatru i dramatu
- Historia teatru
- Iluzja w malarstwie
- Ira Aldridge
- Kategorie
- Kinematograf
- Materia sztuki
- Muzeum stuki
- O mediach
- Postmedia
- słownik
- Encountering the other
- Sztuka według polityki
- Telewizja w edukacji
- Wiek awangardy
- Wirtualne realis
- Wybór pism
- Wybór pism estetycznych
- The art of game design
- Manifesto of the Third Landscape
- Rzeczowy świadek
- Szczecińskie legendy
- Old books
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Sheet music
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Old sheet music
- Aida: Oper in vier Akten
- 25 Lecons de Chant de moyenne difficulte
- Brahms: Zwei ungarische Tanze
- Mozart: Don Juan: Oper in 2 Aufzugen
- Liederkranz
- Ouverture: Leonore nr 3
- Beethoven: Duos pour piano et violon
- Beethoven: Symphony Nr. 4
- Deutsche Musik: 1 Teil
- Deutsche Musik: 2 Teil
- Tannhauser (1890)
- Wagner: Tannhauser (1910)
- Wagner: Tannhauser (1913)
- Gluck: Orpheus
- Ersters Dessoir
- Schumann: Werke 2
- Schumann: Werke 3
- Schumann: Werke 4
- Opern und Oratorien
- Bach: Kantate nr 50
- Bach: Kantate nr 51
- Lieder ohne Worte
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Magazines
- Kino
- Spike: Art Magazine
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Architectura and Biznes
- AiB nr 382 maj 2024
- AiB nr 381 kwiecień 2024
- AiB nr 380 marzec 2024
- AiB nr 379 luty 2024
- AiB nr 378 styczeń 2024
- AiB nr 377 grudzień 2023
- AiB nr 376 listopad 2023
- AiB nr 375
- AiB nr 374
- AiB nr 372-373
- AiB nr 371
- AiB nr 370
- AiB nr 369
- AiB nr 368
- AiB nr 367
- AiB nr 366
- AiB nr 365
- AiB nr 364
- AiB nr 363
- AiB nr 362
- AiB nr 360-361
- AiB nr 359
- AiB nr 358
- AiB nr 357
- AiB nr 356
- AiB nr 355
- AiB nr 354
- AiB nr 353
- AiB nr 352
- AiB nr 351
- AiB nr 350
- AiB nr 348-349
- AiB nr 347
- AiB nr 346
- AiB nr 345
- AiB nr 344
- AiB nr 343
- AiB nr 342
- AiB nr 341
- AiB nr 340
- AiB nr 339
- AiB nr 338
- AiB nr 336-337
- AiB nr 335
- AiB nr 334
- AiB nr 383
- AiB nr 384-385
- AiB nr 386
- AiB nr 387
- AiB nr 388
- Format: Pismo Artystyczne
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Thesis
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Media art
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2020
- Winnicki, Kamil
- Prabucka, Klaudia
- Kramarz, Justyna
- Olszewska, Monika
- Romankiv, Marta
- Dziarczykowska, Natalia
- Hadyńska, Martyna
- Juchnowicz, Bogna
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Plucińska, Maria
- Plucińska, Maria: "Matilda's Effect" on the example of polish female artists in 1880-1939.
- Plucińska, Maria: Invisible works (outline + photos)
- Plucińska, Maria: Nightmare (outline)
- Plucińska, Maria: Nightmare (photo documentation)
- Plucinska, Maria: Nightmare (movie)
- Plucińska, Maria: Invisible work (movie)
- Michalewicz, Karolina
- Tsynkel, Katarzyna
- Przewoźniak, Agata
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Radecka, Wiktoria
- Radecka, Wiktoria: Raw art doesn't believes in ugliness. Art brut as an alternative to professional art.
- Radecka, Wiktoria: Grumpy monsters (description)
- Radecka, Wiktoria - Grumpy Monsters (movie no.1)
- Radecka, Wiktoria: Grumpy Monsters (movie no.2)
- Radecka, Wiktoria: Grumpy Monsters (movie no. 3)
- Radecka, Wiktoria: Grumpy Monsters (movie no. 4)
- Radecka, Wiktoria: Grumpy Monsters (movie no. 5)
- Skorny, Grzegorz Paweł
- Mara, Andrzej
- Gołębiowska, Karolina
- Walendzik, Wiktoria
- Świeściak, Iga
- Wujciów, Konrad
- Kurka, Wojciech
- Kopeć, Patrycja
- Sosnowska, Zuzanna
- Cencyk, Sebastian
- Głowala, Dominika
- Czarnecka, Julia
- Kochaniuk, Natalia
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2022
- Suchożebrska, Joanna
- Winnicki, Kamil
- Kopeć, Patrycja
- Plucińska, Maria
- Gembel, Eliza
- Michalski, Piotr
- Dowejsko, Paweł
- Kurka, Wojciech
- Prabucka, Klaudia
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Rubinkowski, Kacper
- Rubinkowski, Kacper: Information bubbles and the role of algorithms during the changes called the end of the web 2.0.
- Rubinkowski, Kacper: Never understood (photos)
- Rubinkowski, Kacper: Nwever understood ZACHĘTA (movie)
- Rubinkowski, Kacper: Another relaxing walk (movie)
- Rubinkowski, Kacper: Never understood (uber eats) - process documentation
- Rubinkowski, Kacper: Uber 1 (movie)
- Rubinkowski, Kacper: Practical works (description)
- Kozłowska, Katarzyna)
- Kucharczak, Wiktoria
- Gillert, Zuzanna
- Rembisz, Wiktoria
- Sundmann, Marta
- Głowala, Dominika
- Karczmarek, Justyna
- Majewski, Radomir
- Jahn, Maja
- Dybowska, Natalia
- Kuczyńska, Alicja
- Bortnik, Jakub
- Pieszczeniewska, Nadia: Uncommon difficulties in implementing the postulate of combining art with life.
- Składanek, Kamil
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2021
- Brzozowska, Karolina
- Brodowska, Julia
- Pasternak, Martyna
- Ochocki, Wojciech
- Siewier, Agata
- Galasińska, Natalia
- Doroszenko, Michał
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Hałgas, Natalia Barbara
- Hałgas, Natalia Barbara: Women in advertising: the road to emancipation and empowerment in the XX-XXI centuries. Analysis of selected examples.
- Hałgas, Natalia Barbara: Transience (description)
- Hałgas, Natalia Barbara: Bachelor's thesis artistic (photos)
- Hałgas, Natalia Barbara: Breaking news (description)
- Hałgas, Natalia Barbara: Bachelor's thesis directional (photos)
- Herman, Ewelina
- Bendyk, Barbara
- Szubiak, Jan
- Kostrubiec, Karolina
- Andukajtis, Alicja
- Szymkiewicz, Sara
- Becker, Kamil
- Wilk, Hanna
- Piekoszewska, Zuzanna
- Lech, Agata
- Szreder, Jerzy
- Wnuk,, Kinga
- Dobrzańska, Krystyna
- Pijanowska, Dominika
- Palej, Nikola
- Bielicka, Claudia
- Demianiuk, Aleksandra
- Trajkowska, Małgorzata
- Krawczyk, Joanna
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Music education
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2020
- Rydzak, Katarzyna: Elements of play pedagogy in music lessons in primary school.
- Drapikowski, Jakub: Analysis and performance problems of selected works by Frank Sinatra.
- Bańkowski, Filip Mateusz: Performance problems in selected worls by Paweł Łukaszewski.
- Przybyła, Aleksandra Joanna: Mass as a musical form based on Missa Angelica by Józef Świder.
- Iwanicka, Wioleta: The use of innovative teaching methods in music education for grades 4-7 of primary school.
- Kwarta, Marek: Stylistyc variety music at the turn of the 20th and 21st centuries with particular emphasis on creativity George Crumb.
- Bigott, Rafał Franciszek: Pipe organ translocation in Waldemar's professional activity Wasilewski in 2009-2018.
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2021
- Turek, Łukasz: Conductor's work with ensembles with different levels of performance - comparative analysis based on exampples amateur and professional activities brass bands.
- Nachiero, Antonietta: Ways of preventing stress and stage fright based on the opinions of students of music faculties of the Academy of Art in Szczecin.
- Radzik, Ireneusz: The importance of choral music at a medical university on an example artistic activity of the Choir of the Pomeranian University Medical in Szczecin.
- Witosz, Aneta: Musical activity Władysław Młynek and its significance for Polish culture in Zaolzie.
- Grudnik, Natalia: Efficient diction as a factor supporting the development of voice emission at work with adolescents in their teens.
- Bober, Magdalena: Polish film music after World War II in creativity selected composers.
- Świątkowski, Filip: Activities od children's choirs of the Choral Academy Singing Poland, during the COVID-19 pandemic, of the example of Municipal Children's Choir Finezja in Połczyn - Zdrój.
- Wudarczyk, Julita: Characteristics of Romuald Twardowski's choral works on the basis of selected works of sacred music.
- Stefek, Jakub: Choral synagogue music of Jewish composers on the example of Synagogen - Bibliothek volume 1 by cantor Jakub Leopold Weiss from Warsaw.
- Bieganowska, Malwina: Development of creativity with the help of art therapy.
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2022
- Kołodziejski, Maciej: Implementation of selected assumptions of the music learning theory Edwin E. Gordon in the practice of ear training for students first level music school.
- Włodarczak, Magdalena: Qualitive renewal of liturgical music in selected centers in Poland at the begining of the 21st century.
- Pabiś, Natalia: The importance of musical education to support the development of the child in preschool age by example activities of the Public Kindergarten no 2 for them Wanda Chotomska in Goleniów.
- Miradziński, Krzysztof: The role of the bandmaster in the process of creating and developing an amateur orchestra based on the activities of the band "My Młodzi".
- Święcicka, Anna: The importance of musical education in opinion kindergarten teachers.
- Janczak, Antonia Julianna: Selected positive factors for amateur work example of a vocal ensemble Vocal Ensemble Tam i Owo from Tanowo.
- Kubińska, Katarzyna: Art therapy in practice on the example of a selected activity Tomorrow's Foundation.
- Lizurej, Małgorzata: Polish Association of Educators and Animators KLANZA - activity and importance for professional development teacher's.
- Turbak, Marta: Zapomniana twórczość Feliksa Nowowiejskiego.
- Świdrów, Miriam: Musical development of children from birth to 3 years of age based on the theory of learning music by E. E. Gordon.
- Klukowska, Katarzyna: Meaning of folklore in professional work with particular emphasis on pedagogical and applied compositions Witold Lutosławski.
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Instrumental Department
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2020
- Szadziul, Maximilian: The theory of C. A. Martienssen and her practical application in the learning the game on piano.
- Jezierska, Marta: Viola compositions by Grażyna Bacewicz with special consideration Concerto for viola.
- Derbiszewska, Eliza: Wanda Wilkomirska - outstanding violinist and educator.
- Luo, Zhiyin: Mutual influences of cultures of China and the West on example of selected works of saxophone literature.
- Socha, Małgorzata: Clarinet music by Jean Francaix based on Concerto for clarinet and orchestra and Thee from variations for clarinet and piano.
- Pustelniak, Róża: Selected performance problems in concert violin in D major op. 77 by Johannes Brahms.
- Ogórek, Lucyna: Virtuosity and brillant style in Henryk's Wieniawski works on selected exapmles music.
- Chyhrina, Anna: Showing Dmitry's Shostakovich based on selected works.
- Korzekwa, Marta: Viola in hungarian music.
- Świątek, Bartosz: Jazz double bass vs. classical double bass - analysis selected implementation issues.
- Pędziwiatr, Kamil: Janusz Stalmierski's work and composing at a modern concert accordion "Cliff".
- Kuźmińska, Ewa Agnieszka: Georg Friedrich Handel's Sonata in G minor for double bass and piano - performance and interpretation problems.
- Odrobny, Kacper: Manuscript of Sonata in B minor by Franciszek Liszt a valuable source of information at work on the song.
- Brot-Nocuła, Marta: Selected ways of teaching basic violin articulations at the Music School of the 1st degree.
- Kaźmierczak, Grzegorz: Analysis of techniques and ways of extracting sound from membrane instruments.
- Miklińska, Marta Magdalena: Specifity of work and performance of works intended for multiperscussion with an example seected tracks.
- Rakowski, Marcin: Four- stick techniques of membranophones.
- Chmielewska, Kinga: French clarinet school based on works by Germaine Tailleferre - "Sonata for solo carinet" and "Arabesque" for clarinet and piano.
- Kaszczyszyn, Dominik Michał: Literaure for trumpet and percussion on the examples of selected composers.
- Moriak, Michał: Classical concertos for trumpet based on a concerto by Joseph Haydn and Johann Nepomuk Hummel.
- Reginia, Łukasz: The role of the horn in the work of Polish film music composers, on selected examples.
- Bańkowska, Aleksandra: Basic aspects of proper workshop in the initial stage of learning to play the bassoon.
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2021
- Kara, Magdalena: Methods of teaching the flute in primary music schools in Poland.
- Błoch, Patrycja: Innovative execution techniques in the selected ones works by Marek Pasieczny.
- Buczula, Dawid: Selected percussion instruments, construction and use in composition.
- Kaszczyszyn, Agata: The xylophone in the orchestra over the musical epochs.
- Wrona, Aleksandra: Sources of inspiration, musial language and style in selected flute literature Polish contemporary composers.
- Połoncarz, Kamil: Interplay of classical and jazz techniques in a drummer's workshop.
- Jańczuk, Zuzanna: Analysis of selected works from harvesting microcosmos Bela Bartok in the context of working with a student first degree music school.
- Bartusiak, Estera: The meaning of the piano subject for non-pianists in educating students of primary and secondary music schools.
- Świdrów, Gabriela: "Eight pieces for Four Timpani" by E. Carter - a composition showing the spectrum of possibilities of timpani as a solo instrument. Analysis based on selected parts of the cycle.
- Łozińska, Aleksandra: Analysis of performance problems in the Sonata in B minor Op. 58 by Fryderyk Chopin.
- Snopek, Grzegorz: Issues of initial teaching in playing the accordion with a melodic manual, on the examples of selected repertoire.
- Szemelak, Monika: Sonata no 1 op. 80 for violin and piano be Sergei Prokofiev. The genesis of the Sonata, interpretation and technical aspects.
- Detko, Agnieszka: 40 Studi d'orchestra for double bass by Annibale Mengoli. Didactic literature or concert repertoire?
- Sikora, Piotr: Selected performance problems in Concertino by Janos Gaspar Mertz.
- Mazurek, Maria: Flute music in the period of German Romanticism on the example of Carl Reinecke's work.
- Bona-Głogowska, Joanna: Elements of the musical language of the 20th-21st centuries in children's piano literature on the example of selected works by Andrzej Henryk Bączyk.
- Kamińska, Elwira: Styles and compositional trends in Polish music second half of the 20th century based on a selected one works of Henryk Mikołaj Górecki.
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2022
- Białkowski, Andrzej: Performance problems in piano Concerto no. 5 in E flat major op. 73 by Ludvig van Beethoven.
- Uran, Agata: Characteristicis of Clara Schumann's piano works on the example of selected works.
- Cichoń, Tomasz:Lyrical aspect in Russian concertos for trombone based on works A. Nesterowa, N. Płatonov and W. Błażewicz.
- Paluch, Piotr: The processof breathing in the performance practice of a trombonist musician.
- Sawicki, Marcin: "Warm Up" or exercices that are essential in the daily practice of a trumpeter, based on selected methods and schools.
- Sieja, Paulina:Sources of inspiration, musical language and performance problems in Sonata La Persienne by Reza Najfar.
- Kania, Flawiana: Technical and sonoristics capabilities of the flute alto on the example of selected pieces composers of the 20th and 21st centuries.
- Feret, Beata: Henryk Wieniawski, Karol lipinski, Apolinary Kątski - Polish virtuosos of the romantic era.
- Cierlecki, Maciej Artur: The influence of jazz music on classical double bass pieces of the 20th century on an example Sonatas 1963 F. Proto.
- Zawadzka, Agnieszka: The role of the orbicularis musculature of the mouth in shaping correct embouchure on the flute.
- Kowalik, Anna: Women horn players in the past and today.
- Dżaman, Patryk: Technical problems and interpretative in creativity Roland Dyens on the example of the selected song for guitar solo.
- Dąbrowski, Michał Kamil: Possibilities of the concert accordion in relation yo the sound and interpretation on the example of selected pieces for flute and accordion duet.
- Bieleninik, Maria: Folklore inspiration in violin art Karol Szymanowski on the example of selected works.
- Lebioda, Jakub Marcin: Adaptation of diploma programs on selected bodies of churches in Szczecin. The dilemma of style and the limits of compromise.
- Grzebieta-Wons, Marta: Influence of jazz and popular music on the works of composers in selected examples of contemporary flute literature.
- Podgórska, Ewa: Analysis of performance Problems in Sonata No. 3, Op. 27 "Ballade" in D minor for solo violin by Eugene Ysaye.
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Vocals
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2020
- Jabłonowska, Julita: Performance problems of the part of Violetta Valery in La Traviata by Giuseppe Verdi.
- Kuźma, Karolina: Classical vocal technique in context solo and ensemble performances.
- Kuźma, Kamila: The history of polish operetta during the interwar period.
- Stasiak, Damian: The emotionality of the lyrical subject in "Sonnets to Laura" expressed by the text of Francesc Petrarka and the music of Wojciech Kilar.
- Rozdeba, Bartosz Jakub: Cantata "Ich habe genug by Johann Sebastian Bach as a manifestation of the composre's spirituality and artistry.
- Śliwowska, Aleksandra: Performance and interpretation problems in the title solo part in the opera The Countess by Stanisław Moniuszko.
- Podgórska, Katarzyna: Cross section of Gustav Mahler's vocal work with particularemphasis on songs from selected cycles.
- Siewierska, Karen: Vocal lyrics by Piotr Perkowski on an example Japanese Uty Series. Executive problems and interpretative.
- Szramski, Adam: Vocal poetry by Antonin Dvorak based on the cycle Biblicke Pisne op. 99. Performance and interpretation problems.
- Kułagowski, Kajetan: Performance problems in vocal romances Michał Kleofas Ogiński.
- Herzberg, Natalia: Performance problems of R. Schumann's "Fraunliebe und Leben" song cycle.
- Zofiński, Kamil: Reception of Witold Lutosławski's vocal work based on an analysis of the composer's musical language.
- Wudarczyk, Julita: Performance problems in selected works from the cycle "Kurpie songs" for voice and piano op. 58 by Karol Szymanowski.
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2021
- Gębal, Oliwia: Characteristics of Tatiana's part in the opera "Eugene Oniegin" by Piotr Czajkowski
- Pelutis, Grzegorz: Vier ernste Gesange op. 121 by Johannes Brahms as an example of vocal lyricism inspired by biblical text. Performance analysis based on my own vocal experience.
- Pawłowska, Katarzyna: Inspiration in the works of Fryderyk Chopin, Stanisław Moniuszko and Mieczysław Karłowicz, based on the analysis of selected songs.
- Bochenek, Marta: Selected elements of the coloratura soprano vocal technique based on the analysis of Olympia's part of the opera's heroine Tales of Hoffmann J. Offenbach.
- Melchinkiewicz, Maja Iga: Characteristics of Benjamin Britten's operas based on novels by writers European.
- Scech, Marcin: The character of Kazimierz from the opera "The Countess" Stanisław Moniuszkoagainst the backdrop of the celebrations Years Moniuszkoin Poland.
- Szydłowska, Ewa: Characteristics of Mieczysław Karłowicz's vocal work based on the analysis of the collection od songs op. 3.
- Kotava, Yana: Around the inspiration and interpretation of 6 songs from op. 4 by Sergei Rachmaninoff.
- Nowakowska, Eliza: Piotr Gryska's Stabat Mater - contemporary creation of music and words in oratorio and cantata work.
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2022
- Piątak, Magdalena: The specificity of ocooperation between a singer and a composer in contemporary vocal- instrument music.
- Urbanek, Magdalena: Performance stylistics of Mozart's lyrics on the example of selected songs by the master of Classicism.
- Grzelak, Aleksandra: Formal analysis of "Gypsy Song" by Antonin Dvorak.
- Kotlarek-Adamiaj, Klara: Children's rhymes op. 49 Karol Szymanowski as an example of lyrical poetry vocals dedicated to the youngest. Performance analysis of selected songsbased on my own vocal experience.
- Komorek, Michał: The part of Osmin from the opera The Abduction from the Seraglio and Sarastro from the opera The Magic Flute as examples of the full use of the bass voice by W. A. Mozart in his crowning operating works.
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Design
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2020
- Wardziukiewiucz, Piotr
- Bąk, Marcin
- Wawrzyniak, Magdalena
- Ramola-Piórkowska, Renata
- Lendecki, Kacper
- Kostov, Natalia
- Zielińska, Ewa
- Piotrowska, Katarzyna
- Połtawski, Sebastian
- Mońko, Kinga
- Kowalczuk, Patrycja
- Bąk, Maria
- Kaźmierczyk, Konstancja
- Wasilkowska, Zuzanna
- Korecka, Manuela
- Trojanowska, Julia
- Pańczuk, Karolina
- Pawlak, Kamila
- Nadarzyńska, Magdalena
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2021
- Nikoliszyn, Iga
- Kopytko, Maria
- Fajferek, Michał
- Broda, Estera
- Kępińska, Amanda
- Zakrzewski, Rafał
- Żylińska, Daria
- Masella, Marta
- Przewoźniak, Wojciech
- Kulma, Maja
- Podwalska, Aleksandra
- Grzesik, Klaudia
- Szadkowski, Wojciech
- Ciarka, Maria
- Brandt, Eric
- Wołowczyk, Paweł
- Kaźmierczak-Kornicz, Anna
- Gabara, Magdalena
- Wypiór, Anna
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2022
- Kurpiel, Karolina
- Sulej, Karolina
- Jędrzejewska, Patrycja
- Biały, Kornelia
- Fik, Dawid
- Glura, Piotr
- Stachurski, Olaf
- Bober, Michalina
- Pasikowska, Alicja
- Wróż, Wojciech
- Morawski-Byrski, Alan
- Sietnicki, Michał
- Zudilin, Maria
- Choińska, Zuzanna
- Bylewska, Magdalena
- Jandura, Krystian
- Żeromska, Izabela
- Waszkiewicz, Eliza
- Wardziukiewicz, Piotr
- Czarnecka, Julia
- Ramola-Piorkowska, Renata
- Woźniak, Justyna
- Ogrodowski, Marcin
- Kułakowska, Aleksandra
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2023
- Kowalczuk, Patrycja
- Pradela, Julia
- Regec, Karolina
- Mickiewicz, Mirela
- Saidak, Veranika
- Miller, Joanna
- Liakhouskaya, Yana
- Inglot, Karolina
- Górska, Monika
- Urban, Filip
- Janiak, Patrycja
- Jasik, Gabriela
- Jon, Miłosz
- Kulejewska, Zuzanna
- Żylińska, Daria
- Janicki, Paweł
- Masella, Marta
- Trojanowska, Julia
- Łukasik, Kinga
- Pawlak, Kamila
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Interior design
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2020
- Karwat, Damian
- Bloch, Weronika
- Kieda, Kamila
- Skoczylas, Karolina
- Szwarc, Klaudia
- Marciniak, Agata
- Kudlińska, Weronika
- Babska, Joanna
- Jaworska, Blanka
- Mularczyk, Katarzyna
- Kaplita Toczyńska, Natalia
- Kusza, Paulina
- Rudyńska, Lucyna
- Ganczaryk, Daria
- Krzemańska, Anna
- Lewandowska, Katarzyna
- Olizarowicz, Izabela
- Wodnicka, Karolina
- Romowska, Beata
- Piszczek, Magdalena
- Okrój, Aleksandra
- Urban, Zuzanna
- 2021
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2022
- Kopera, Klaudia
- Urbańska, Wiktoria
- Ilcewicz, Patrycja
- Bojczuk, Julia
- Pietysz, Wiktoria
- Zdziennicka, Agata
- Pacuszka, Natalia
- Pawęzka, Klaudia
- Trytek, Paula
- Janiszewska, Julia
- Bobrzecka, Marta
- Chorna, Anna
- Kępa, Joanna
- Mazur, Krystyna
- Martynova, Tetiana
- Kuliszenko, Milena
- Ciesielczyk, Kaja
- Grzywacz, Natalia
- Amborżewicz, Małgorzata
- Miłowska, Martyna
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2023
- Hewelt, Wiktoria
- Kozłowska, Katarzyna
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Budnik, Martyna
- Budnik, Martyna: Revitalization of the interior of a guesthouse from 1900 at 16 Książąt Pomorskich Street in Międzyzdroje. Adaptation of the first floor space for the needs of the wellness area along with the concept of rearraging existing apartments.
- Budnik, Martyna: Technical book.
- Budnik, Martyna: Boards.
- Leus, Gabriela
- Waluk, Aleksandra
- Zakrzewska, Klaudia
- Matuszczak, Julia
- Krysztoforska, Kaja
- Safin, Julia
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Painting
- 2020
- 2021
- 2022
- 2023
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Graphics
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2020
- Konkel, Dawid
- Kaleta, Karolina
- Więcek, Zuzanna
- Ziętala, Aleksandra
- Szwajda, Aleksandra
- Klatka, Sylwia
- Szunke, Patrycja
- Seroka, Mateusz
- Wietrzyńska, Aleksandra
- Sot, Klaudia
- Rachowska, Natalia
- Taraszkiewicz, Adrian
- Ciasnocha, Szymon
- Urbański, Maciej
- Lewandowska, Maja
- Herkt,Wiktoria
- Zioła, Katarzyna
- Mulska, Martyna
- Kubikowski, Jakub
- Rawa, Artur
- Sępioło, Patrycja
- Ściechowska, Karolina
- Dobosz, Weronika
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2021
- Jakubiszyn Karolina
- Grusza, Marta
- Budnik, Martyna
- Pabich, Karol
- Cytryna, Marcelina
- Niekrasz, Alicja
- Sopuch, Justyna
- Koligot, Oliwia
- Brzezińska, Julia
- Piecychna, Michalina
- Krucewicz, Natalia
- Guzowski, Adam
- Steć, Paulina
- Ozimek, Izabella
- Zygmunt, Kamila
- Misiura, Joanna
- Sadowska, Marika
- Zaremba, Weronika
- Lepieszkiewicz, Adam
- Osak, Dominika
- Woźniak, Krystian
- Bigielmajer, Marzena
- Hofman, Piotr
- Zajac, Konrad
- Schacht, Wiktoria
- Karabowicz, Ewelina
- Wróbel, Cecylia
- Parashchak, Anastasiia
- konicki, Leszek
- Kamińska, Paulina
- Woźniak, Kamila
- Szajdecka, Ewa
- Seniw, Samuel
- Jarczak, Paweł
- Zieziulewicz, Weronika
- Kidoń, Dominika
- Olszewska, Agata
- Michalak, Adrian
- Popławski, Jarosław
- Pasterska-Napadło, Grażyna
- Kwiatkowska, Karolina
- Zajma, Katarzyna
- Czekan, Roksana
- Tymińska, Magdalena
- Lamek, Joanna
- Gawdzińska, Ewa
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2022
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- Zioła, Katarzyna
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- Florczak, Marta
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- Mazur, Elvin
- Poterski, Artur
- Szpala, Kamila
- Gdaniec, Sara
- Chyla, Anna
- Zakrzewski, Sebastian
- Pająk, Natalia
- Ochenkowska, Kamila
- Pacek, Magdalena
- Wera, Paulina
- Mazur, Martyna:The devil covered it with his tail.
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- Lepieszkiewicz, Hanna
- Kmita, Robin
- Augustyniak, Magdalena
- Spiczko, Kinga
- Cesnarska, Natalia
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- Kłosińska, Lena
- Modrzejewski, Karol
- Miśkowiec, Natalia
- Żmuda, Emilia
- Brotoń, Kinga
- Poczopko, Julianna
- Fedorowicz, Izabela
- Ravinskaya, Yeva-Maryia
- Czerepko, Patrycja
- Pietruszkiewicz, Daria
- Kostecka, Wiktoria
- Opar, Paulina
- Perkowska, Marta
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2023
- Trzeciak, Maja
- Konieczna, Ewa
- Respondek, Julia
- Gębaczka, Marta
- Zegarek, Wiktoria
- Gacki, Olgierd
- Wagner, Agata
- Domitrz, Agata
- Steć, Paulina
- Boboryko, Marta
- Heland, Jakub
- Pabich, Karol
- Zemsta, Patrycja
- Salamucha, Patrycja
- Dzikiewicz, Adrianna
- Walczak, Martyna
- Ścibisz, Sebastian
- Schiewe, Jan
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- Sopuch, Justyna
- Rosada Żaneta
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- Bołtowicz, Paweł
- Wielgosz, Katarzyna
- Piecychna, Michalina
- Bartkowiak, Natalia
- Jaworek, Kornelia
- Niekrasz, Alicja
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- Pasierbska, Malwina
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- Koszko, Hanna
- Turowicz, Adam
- Szunke, Patrycja
- Lewandowska, Maja
- Mulska, Martyna
- Rawa, Artur
- Seroka, Szymon
- Woźniak, Kamila
- Mróz, Patrycja
- Urbański, Maciej
- Kasprzak, Agnieszka
- Nalazek, Zuzanna
- 2024
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Puccini: Tosca
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Tosca: opera in three acts
Giacomo Puccini The Bolshoi Theatre Chorus Stanislav Lykov (chorus master) Igor Agafonnikov (chorus master) Vladimir Andropov (conductor) Alexander Lazarev (conductor) Maria Bieshu (soprano) Veniamin Egorov Peter Gluboky (bass) Vladimir Filippov (bass) Andrei Sokolov (tenor) Georgi Pankov (baritone) Yuri Korolev (bass) Yuri Mazurok (baritone) Mikhail Muntyanu (tenor)
1982
Utwór muzyczny
Tosca: opera in three acts
Giacomo Puccini The Bolshoi Theatre Chorus Stanislav Lykov (chorus master) Igor Agafonnikov (chorus master) Vladimir Andropov (conductor) Alexander Lazarev (conductor) Maria Bieshu (soprano) Veniamin Egorov Peter Gluboky (bass) Vladimir Filippov (bass) Andrei Sokolov (tenor) Georgi Pankov (baritone) Yuri Korolev (bass) Yuri Mazurok (baritone) Mikhail Muntyanu (tenor)
1982
Utwór muzyczny
Tosca: opera in three acts
Giacomo Puccini The Bolshoi Theatre Chorus Stanislav Lykov (chorus master) Igor Agafonnikov (chorus master) Vladimir Andropov (conductor) Alexander Lazarev (conductor) Boris Khaikin (conductor) Maria Bieshu (soprano) Veniamin Egorov Peter Gluboky (bass) Vladimir Filippov (bass) Andrei Sokolov (tenor) Georgi Pankov (baritone) Yuri Korolev (bass) Yuri Mazurok (baritone) Mikhail Muntyanu (tenor)
1982
Utwór muzyczny
Tosca: opera in three acts
Giacomo Puccini The Bolshoi Theatre Chorus Stanislav Lykov (chorus master) Igor Agafonnikov (chorus master) Vladimir Andropov (conductor) Alexander Lazarev (conductor) Boris Khaikin (conductor) Maria Bieshu (soprano) Veniamin Egorov Peter Gluboky (bass) Vladimir Filippov (bass) Andrei Sokolov (tenor) Georgi Pankov (baritone) Yuri Korolev (bass) Yuri Mazurok (baritone) Mikhail Muntyanu (tenor)
1982
Utwór muzyczny
Tosca: opera in three acts
Giacomo Puccini The Bolshoi Theatre Chorus Stanislav Lykov (chorus master) Igor Agafonnikov (chorus master) Vladimir Andropov (conductor) Alexander Lazarev (conductor) Boris Khaikin (conductor) Maria Bieshu (soprano) Veniamin Egorov Peter Gluboky (bass) Vladimir Filippov (bass) Andrei Sokolov (tenor) Georgi Pankov (baritone) Yuri Korolev (bass) Yuri Mazurok (baritone) Mikhail Muntyanu (tenor)
1982
Utwór muzyczny
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Tosca: opera in three acts
Giacomo Puccini The Bolshoi Theatre Chorus Stanislav Lykov (chorus master) Igor Agafonnikov (chorus master) Vladimir Andropov (conductor) Alexander Lazarev (conductor) Boris Khaikin (conductor) Maria Bieshu (soprano) Veniamin Egorov Peter Gluboky (bass) Vladimir Filippov (bass) Andrei Sokolov (tenor) Georgi Pankov (baritone) Yuri Korolev (bass) Yuri Mazurok (baritone) Mikhail Muntyanu (tenor)
1982
Utwór muzyczny
Tosca: opera in three acts
Giacomo Puccini The Bolshoi Theatre Chorus Stanislav Lykov (chorus master) Igor Agafonnikov (chorus master) Vladimir Andropov (conductor) Alexander Lazarev (conductor) Maria Bieshu (soprano) Veniamin Egorov Peter Gluboky (bass) Vladimir Filippov (bass) Andrei Sokolov (tenor) Georgi Pankov (baritone) Yuri Korolev (bass) Yuri Mazurok (baritone) Mikhail Muntyanu (tenor)
1982
Utwór muzyczny
Tosca: opera in three acts
Giacomo Puccini The Bolshoi Theatre Chorus Stanislav Lykov (chorus master) Igor Agafonnikov (chorus master) Vladimir Andropov (conductor) Alexander Lazarev (conductor) Boris Khaikin (conductor) Maria Bieshu (soprano) Veniamin Egorov Peter Gluboky (bass) Vladimir Filippov (bass) Andrei Sokolov (tenor) Georgi Pankov (baritone) Yuri Korolev (bass) Yuri Mazurok (baritone) Mikhail Muntyanu (tenor)
1982
Utwór muzyczny
Tosca: opera in three acts
Giacomo Puccini The Bolshoi Theatre Chorus Stanislav Lykov (chorus master) Igor Agafonnikov (chorus master) Vladimir Andropov (conductor) Alexander Lazarev (conductor) Boris Khaikin (conductor) Maria Bieshu (soprano) Veniamin Egorov Peter Gluboky (bass) Vladimir Filippov (bass) Andrei Sokolov (tenor) Georgi Pankov (baritone) Yuri Korolev (bass) Yuri Mazurok (baritone) Mikhail Muntyanu (tenor)
1982
Utwór muzyczny
Tosca: opera in three acts
Giacomo Puccini The Bolshoi Theatre Chorus Stanislav Lykov (chorus master) Igor Agafonnikov (chorus master) Vladimir Andropov (conductor) Alexander Lazarev (conductor) Maria Bieshu (soprano) Veniamin Egorov Peter Gluboky (bass) Vladimir Filippov (bass) Andrei Sokolov (tenor) Georgi Pankov (baritone) Yuri Korolev (bass) Yuri Mazurok (baritone) Mikhail Muntyanu (tenor)
1982
Utwór muzyczny
